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Wee liberties: Beauty and The Beast: A Horny Love Story at Charing Cross Theatre

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It may not be a tale as old as time, but it’s still the same old story, almost, with Beauty and the Beast: A Horny Love Story currently playing at the Charing Cross Theatre .  As the title suggests, this is not family holiday entertainment, but neither is it all gay gore. And a surprisingly large number of clever gags, a gorgeous-looking production, costumes, and an ensemble make for a classy night out with the occasional lashing of sluttiness.  It’s been a while since I have seen an adults-only panto. Like many things at the theatre—ticket prices, opening nights, age of social media influencers—things have changed. Happily, things have changed for the better here. The show focuses on assembling an excellent cast. Elaborate costumes by Robert Draper and David Shields’ set pieces help give this adult panto a touch of class. There are the usual lewd jokes and a quick flash of buttocks.   The setting of the story is in the northernmost village of Scotland, Lickmanochers. Not...

Wicked thoughts: The Widowing of Mrs Holroyd @OrangeTreeThtr

The Widowing of Mrs Holroyd at The Orange Tree Theatre is an exciting start to new season at the Orange Tree Theatre. The audience is made to feel as if they are eavesdropping on the drama in this working cottage where a family is falling apart.

Set in the Nottinghamshire mining community in 1914, DH Lawrence has created a moving piece of working class woman in an abusive relationship.

After an evening where he brings home two ladies after a night of drinking she wishes he was dead. She soon gets her wish and then suffers guilt.


It's evocative, if a bit laboured, particularly in the second half where the death, guilt and shame for wicked thoughts and being above one's station is the focus point of the story.

But it is also nicely acted, particularly with Ellie Piercy as the righteous Mrs Holyroyd.

Jordan Mifsud, as the slightly hunky electrician (a job above the position of her husband) delivers a subtle performance as a man who tries to convince her to leave with him.

Perhaps a prelude to the upheavals of the twentieth century and further rights for women, it is a fascinating portrait of a community and way of life that has been lost to time and industrial development.

It runs at Richmond through to 4 October.

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