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Two Ladies: La Bella Bimba at Barons Court Theatre / Canal Cafe Theatre

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T hey sing. They dance. They clown around. They even wash clothes! Such is the story of La Bella Bimba, part of the Voila Theatre Festival, which highlights new and emerging artists. A tale of two Italian ladies who land in 1920s New York, trying to break into Broadway without speaking a word of English. It’s harmless, primarily even if a little nonsensical, and is currently playing as part of the Voila! Theatre Festival .  I caught the performance at the Barons Court Theatre , where the intimate setting created an evocative atmosphere reminiscent of dark New York alleyways. The space was almost claustrophobic with a distinct smell of rising damp, making you feel immersed in the story of two Ladies hanging around the theatre doors of Broadway. On the plus side, the theatre has some of the most comfortable seats you will find in any pub theatre in London. As the naive and hopeful singers, Co-creator Lucrezia Galeone as Carlotta and Sarah Silvestri as Cecilia are fine singers with co...

Opening up on the road: Autobahn @KingsHeadThtr

Neil LaBute's Autobahn, now playing at the Kings Head Theatre, explores over seven short vignettes how sitting in a car be a cathartic experience. Or a chance to just talk crap. While the focus is America, the themes are universal.

Often funny and never boring, each vignette involves two people.  Sharon Maughan (Holby City, The Bank Job, She’s Out of My League), Henry Everett (Michael Grandage’s A Midsummer Night’s Dream), Tom Slatter (Robot Overlords), and Zoe Swenson-Graham (Our Town) play the various characters, changing characters as quickly as a change in gears.


The production uses some simple projections and a beat up BMW to evoke the driving experience. It is simple, yet effective with this strong cast.

My favourite piece of the seven was  Merge, where Maughan eventually reveals to her partner Everett that she wasn't quite attacked by two men. The repartee and the slow burn of this piece is hilarious.

Although like any car journey where the road is long or the traffic is heavy, it is occasionally a tad frustrating to watch. The cramped seats and very warm conditions of the Kings Head Theatre don't help. But I did find these conditions evoking from my childhood long torturous drives in a car without air-conditioning or adequate leg room.

Produced by London based production company Savio(u)r, which is dedicated to presenting work by American playwrights in the UK, programming new writing and revivals. It runs until 20 September.

The Kings Head Theatre in Islington also pays performers and stage managers in Opera UpClose and King's Head Theatre productions an Equity-approved rate for rehearsals and performances, which is their commitment to paying artists and stage managers a fair wage for the work that they do.

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Photo credit: Production photos by Scott Rylander


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