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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...

It's a wonderful life: The Me Plays @ORLTheatre

Growing up in Wembley seems like fun in Andrew Maddock's The Me Plays, currently showing at The Old Red Lion Theatre. 

Two forty-five minute monologues delivered by Maddock present a semi-autobiographical look at his life growing up there.

Male body image, internet pornography, Catholic schools, surgical procedures are all covered in this brutally honest account. The cleverness in the work is its frankness and his matter of fact delivery, which makes for a fascinating evening that will linger with you after leaving the show.

The first piece, Junkie, looks at how the internet and the bombardment with constant information and potential suitors has transformed the dating game. It helps if you are familiar with the mobile application Tinder (nowadays dates are not arranged on a computer that would be so old fashioned) and how connections are based on mutual likes. But the piece shows how fleeting and superficial the modern dating world can be, the efforts taken to hook up that can be abandoned on a whim. 

His second and darker piece, Hi Life, I Win, sees Maddock waiting on the results of biopsy and looking back on his teenage years, and how events can change your life. It is a unique perspective on universal themes of loneliness, isolation and fears in a smart looking production that deserves to be seen.

Maddock’s training and previous work has been with the Playing Up programme - which gives young people who are not in education, employment or training a chance to take part in the National Youth Theatre. The entire run of performances will also offer £6 tickets to selected groups in the Brent and Islington area working with young people who are not in education, work or training.

It runs through until September 20.

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