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Life upon the wicked stage: Already Perfect at Kings Head Theatre

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Performing two shows a day on a Broadway run sounds exhausting enough. But when you’ve just had a not-so-great matinee and are having a crisis of confidence, I would assume the last thing you’d want is to confront your past. Yet that’s the situation in Already Perfect, writer-performer Levi Kreis’s slightly autobiographical journey of confronting the past and his younger self. With a series of toe-tapping and emotional songs in a sleek production, you’re invited to experience someone else’s therapy session. And with a show title called Already Perfect, you know what kind of session this is going to be. It makes for a show where nothing is left unsaid, even if it is unnecessary,  unbelievable or best left on a greeting card. It’s currently playing at the King’s Head Theatre .  The story begins in his dressing room after a matinee, with Kreis alone. The show didn’t go so well. Struggling after being dumped by a lover, pressure mounting on the evening show being filmed for poster...

Father knows best: Wingman @sohotheatre

Father-son comedies have never quite felt so weird as they do in Wingman, Richard Marsh's new take on strained and odd family relationships having an early slot at the Soho Theatre this month.

Marsh, a writer of Fringe First winning Dirty Great Love Story and Radio 4 show Love & Sweets, has crafted a story that is part dialogue and part poetry that has a surreal comic effect in describing his dysfunctional relationship with his dad (played by Jerome Wright).

Mum has died but after twenty years apart they reunite at her graveside. And it is an opportunity for dad to reunite with the son he left twenty years ago. And dad suggests after seeing that his son is struggling with women that perhaps they could socialise together and he could be his wingman. But that means the son has to get over his issues of abandonment and general hatred of the man...


While you may struggle to believe the family dynamic, and perhaps the poetry gets in the way, you can't help but admire a piece with a unique voice that effortlessly moves between comedy and high emotion.

Wingman plays until late September at the Soho Theatre and a tour is in the works. Worth a look and details on the tour at on Marsh's website.

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