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The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

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Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...

Looking back at islands in the stream: San Domino

San Domino, a new musical inspired by a BBC news story about Mussolini's persecution of homosexuals by sending them to an island paradise, concluded a short run as part of Arcola's Grimeborn series celebrating new opera this summer.

What could have been a fascinating and almost comic story about the stupidity of the fascist regime - sending a group of men to an island where there are only other gay men - is told a little too earnestly and drearily in its current form.


It is a pity as there is no doubt a terrific story lurking there about men who were removed from their communities to an island paradise, at a time when being gay was not even recognised in Italy and relationships were different than they are today. It would be difficult to call the piece an opera, and while the music is at times clever and interesting, it does not assist in setting the scene or capturing the period or the place.

Here is hoping the piece can be reworked as it has potential. The Grimeborn series continues through to early September at the Arcola.

Below is clip from the initial workshop at The Courtyard Theatre.


 Photo credit: Charlotte Hopkins

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