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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor

Looking back at islands in the stream: San Domino

San Domino, a new musical inspired by a BBC news story about Mussolini's persecution of homosexuals by sending them to an island paradise, concluded a short run as part of Arcola's Grimeborn series celebrating new opera this summer.

What could have been a fascinating and almost comic story about the stupidity of the fascist regime - sending a group of men to an island where there are only other gay men - is told a little too earnestly and drearily in its current form.


It is a pity as there is no doubt a terrific story lurking there about men who were removed from their communities to an island paradise, at a time when being gay was not even recognised in Italy and relationships were different than they are today. It would be difficult to call the piece an opera, and while the music is at times clever and interesting, it does not assist in setting the scene or capturing the period or the place.

Here is hoping the piece can be reworked as it has potential. The Grimeborn series continues through to early September at the Arcola.

Below is clip from the initial workshop at The Courtyard Theatre.


 Photo credit: Charlotte Hopkins

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