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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Sensory illusions: The Chairs

Extant's production of Eugene Ionesco's The Chairs, which concluded its run at The Albany in Deptford this week, casts blind actors in the lead roles of old man and old woman. In doing so it  gives the opportunity to think more about the play's themes of isolation, alienation and invisibility and makes this absurdist piece fascinating to watch and listen to.

The Chairs is about an elderly couple who welcome a series of invisible guests to their isolated house in what seems like a post-apocalyptic time. They are waiting for the arrival of an important orator and while they wait (and put out chairs for the increasing number of invisible guests) they reveal fragments of their lives. When the orator finally does arrive the couple decide to take drastic action knowing that their life couldn't get any better.


The post apocalyptic world might be the result of global warming or rising sea levels that have changed the world, but we are not told and nor does it matter. Their home actually looks like the bits remaining of Battersea Power Station with its fantastic set design by Andrea Carr. In the space of the Albany, which feels like you are inside of a spaceship, you could be forgiven for thinking you were on some time travelling voyage that has just stopped at Deptford for the evening.

Heather Gilmore and John Wilson Goddard as the couple hold your attention with their fine characterisations of an old couple that have been together for an awfully long time, carrying out pointless tasks and engaging in idle banter day in and day out.

Extant is Britain's only professional performing arts company of visually impaired people. Its mission is to promote the arts and culture of the visually impaired community through a programme of research and development and productions such as this. Ionesco's The Chairs becomes even more intriguing when you contemplate the invisible guests, the sound effects and the descriptive nature of this piece.

While it has finished its run for now... Keep an eye out for future shows from this company.

Photo credit: rehearsal photo Terry Braun from production

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