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Somewhere that's green: Potty the Plant at Wiltons Music Hall

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"I'm Potty the Plant," sings a potted plant in this odd little fringe concept of a show. It's hard not to get the tune out of your head, even if the show is brief. It's an earworm for a show that features a worm-like plant as a puppet. And given the show's brevity, running at only an hour, it's hard to get too annoyed by a lack of a coherent story, even if it still seems like the show could use a bit more development (which is underway). It has made its London debut at Wilton's Music Hall. The premise is that Potty, the plant, lives in the hospital office of Dr Acula (geddit?) and dreams of a life with the cleaning lady Miss Lacey (Lucy Appleton). But Dr Acula might be responsible for why all these children are disappearing while trying to romance Miss Lacey for her family's money that she doesn't have. Three nurses are on the case, trying to solve the mystery.  If the show settled on a convincing plot, location and set of characters, it could ...

Intense affairs: Tosca @TheRoyalopera

I've seen this production of Tosca three times now at the Royal Opera, but this was the first time that the affair between Tosca and Caravadossi seemed so intense and palpable. And sexual.

A melodrama over three short acts needs big voices and a big sound to carry interest in this piece of a jealous actress, traitors and fear of invasion by Napoleon's army.

Set over three days the story is a gripping tale of love, torture, treachery and one big diva.

With Roberto Alagna as Cavaradossi and Oksana Dyka as Tosca, the pairing of big voices and big actors matches the intensity of the score and the drama. And together they complimented each other well with their clarity of voice.

Rounding out the love triangle as Scarpia, the Chief of Police, Marco Vratogna aided the second act with added menace with his baritone that while not booming as in other performances, conveyed menace and emphasised the pure over the top potential of the subject matter.

Roberto Alagna's performance of E lucevan le stele in the third act was perfection and evoked the sensuality and tenderness of the lyrics (so much so the mind was wondering about just how much he was caressing Tosca).

A production that puts spring in your step. There are performances throughout the summer...

Photo credits: Royal Opera House / Catherine Ashmore

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