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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor

Intense affairs: Tosca @TheRoyalopera

I've seen this production of Tosca three times now at the Royal Opera, but this was the first time that the affair between Tosca and Caravadossi seemed so intense and palpable. And sexual.

A melodrama over three short acts needs big voices and a big sound to carry interest in this piece of a jealous actress, traitors and fear of invasion by Napoleon's army.

Set over three days the story is a gripping tale of love, torture, treachery and one big diva.

With Roberto Alagna as Cavaradossi and Oksana Dyka as Tosca, the pairing of big voices and big actors matches the intensity of the score and the drama. And together they complimented each other well with their clarity of voice.

Rounding out the love triangle as Scarpia, the Chief of Police, Marco Vratogna aided the second act with added menace with his baritone that while not booming as in other performances, conveyed menace and emphasised the pure over the top potential of the subject matter.

Roberto Alagna's performance of E lucevan le stele in the third act was perfection and evoked the sensuality and tenderness of the lyrics (so much so the mind was wondering about just how much he was caressing Tosca).

A production that puts spring in your step. There are performances throughout the summer...

Photo credits: Royal Opera House / Catherine Ashmore

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