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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Gays play: On Tidy Endings and Safe Sex

Two short plays by Harvey Fierstein show that at least the western world has come some way when it comes to discrimination and attitudes towards HIV and AIDS. Even if you're not sure whether you should be laughing at their message.

The first of the two pieces, Safe Sex, is a one-joke piece about a lover who is obsessed about making sure that all the sex he engages with his partner is on a list of safe sex practices outlined in a leaflet.


From opening with a terrifically frightening sexual dance (pictured),  it descends into a predictable series of character neuroses and foibles. Perhaps if the chemistry between the two leads was as strong as their opening dance it might have been more engaging.

After a short break, things get much better with On Tidy Endings, where the ex-wife and the ex-lover have to tied up loose ends following the death of the man they both loved. Looking at the piece from the present day where gay marriage is legal and anti-discrimination laws exist, it is quite a thought provoking piece to think how far things have come, and also the challenges and discrimination that still persists. It tends to veer towards a predictable melodrama, but a combination of the performances and the story make it intriguing.

People interested in gay history might enjoy these two pieces from a time that people have forgotten with rising rates of HIV and chemsex.

The two plays are at the Tristan Bates Theatre in Soho until 17 May. Tickets are from £10.

The production is also supporting the Make A Difference Trust and you are given the opportunity to make a donation at the end of the show.

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