Featured Post

Heavy meta: Why am I So Single? @sosinglemusical

Image
Being young and single never seemed so fun, full of energy, yet full of contradictions in this high-concept meta-musical, Why Am I So Single? The fourth wall is not so much broken as endlessly pummelled as the cast talks directly to the audience. Frequently. But essentially, it’s about young people with neuroses and smartphone addiction exploring why they can’t find love in present-day London. Told with a series of spectacular songs and dance scenes in this new musical from the creators of Six, Toby Marlow and Lucy Moss. But while we don’t necessarily get an answer that rings true to the question posed by this show, you are likely to be distracted mainly by the energy and the songs. It’s currently playing at the Garrick Theatre.  A new musical based on an original idea, the premise is that Oliver (Jo Foster) and Nancy (Leesa Tulley) - which are not their real names but names taken from their favourite musical, Oliver - have to write a new musical but are stuck for an idea. So, after e

Harsh lighting: Carthage @Finborough Theatre

Carthage, currently playing at the Finborough Theatre lets the audience in on a world of social care, and the circumstances in which the state can take control of your life and take your life.

Its brilliance is in taking what could be depressing subject and making it full of humour and humanity as people try to do what is best. But it also leaves you wondering if at the end is there anything that could be done differently and whether our systems and due processes are the best we really can do as a society.

It is the debut play from Chris Thompson, who drew on his experiences as a social worker over the past 12 years. What is incredible about the play is how finely observed the characters are. There is the boy in care, a jaded social worker, the teenage mother in and out of prison and the prison wardens. There are no judgements on their actions but the consequences are clearly on display for the audience to see.

The cast do well, particularly Jack McMullen as Tommy, the boy who was born in a prison and dies in a prison, who balances his characters tough-guy attitude and vulnerability once he is in prison. We don't know why he is in prison but that's not the point. It is about the process. When the scene that is the focal point of the piece takes place there are no shocks, except for perhaps how routine everything was... right up until the point he dies.

It is also a smart looking and slick production that brings out the cold and clinical nature of prison, procedures, checklists. Fluorescent lights flicker on and off. Plastic chairs and battered furniture.

It is on for a short period at the Finborough Theatre but deserves the buzz and attention that it is getting. Don't miss it. It runs until February 22.

****

Photo credit: Production photo Richard Davenport

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial security
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...