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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Art and other urges: The Shape of Things @arcolatheatre

The Shape of Things, currently playing at the Arcola Theatre in Dalston is a smart and good looking production that captures the banality and earnestness of Neil Labute's high concept play of young love in a university town. Ten years on from its first presentation at the Almeida, it still is an interesting observation on people and relationships and art.

Or perhaps. The lady seated next to me who was an art historian was not particularly impressed by the analysis of art. She found Labute was getting things wrong. But coming out of the the theatre, my partner commented, "That's just how people act in my hometown." The mind started to boggle about the games people in his hometown play, but he thankfully clarified he mean that people once they get into relationships change and cut people out of their lives.

And this is what makes the piece fascinating. Its observations of the four characters and their interrelationships as they talk about love, sex and art. They are not monsters or caricatures but presented as young people making decisions that may turn out to have much bigger consequences.
The central premise of the play is about art student Evelyn meeting geeky Adam. After a few dates over a short period she starts encouraging him to change. He starts working out, dressing a bit smarter and taking better care of himself. But things start to become a little odd and complicated as his friends note that the changes are not necessarily for the better. For anyone that has not seen previous productions of the play or the movie it is tough not to go into further details about the play, but the piece remains intriguing and amusing throughout.

Anna Bamberger as Evelyn manages to deliver a compelling and sympathetic performance, dominating proceedings whenever she is on stage. Apart from being in incredibly big heels throughout the performance (which looked very painful), it seems like a difficult character to portray as Labute makes her ignorant yet she also needs to be resourceful and intelligent.

Sean McConaghy as Adam also manages to get the balance between being shy and nerdy and transforming into a more confident man under Evelyn's guidance. Séan Browne as Philip, Adam's more outgoing yet small-town minded friend, and Harrie Hayes as the mousy Jenny, Philips fiancee and former love interest of Adam's round out this great cast.

It is a smart looking production with a simple set that changes from scene to scene. Whether you have seen this show before or not, it is worth taking your partner (or someone you have an interest in) to see it to debate the merits of it. It runs at the Arcola until 21 December. 





Photo credits: production photos by Maximilien Spielbichler

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