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The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

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Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...

On a bad day: Darling of the Day

It is appropriate that the Union Theatre, which has a reputation for fresh perspectives on old shows, has given Darling of the Day, a forgotten musical from the 1960s, its first European Revival. The show with music by Jule Styne ran on Broadway for only 31 performances and attempts to revive over the years have stalled.

Perhaps the reason it has been ignored is that it is just not a fashionable show. The story revolves around a famous artist in Edwardian London who seizes an opportunity to assume the identity of his butler and fade away into an upper working class existence. The score isn't full of memorable songs, but with its take on old love (or rather two more mature leads who get married), the show is intriguing and mostly harmless fun.


This production at the Union probably gets the best out the material in its small spaces and lovely lighting. The cast are also likeable, although the director thanked everyone on press night for their understanding as a dreadful virus had taken its toll on the cast. No doubt as the run progresses and they lose the bloodshot eyes and Lemsip dependency they will get the chance to show the material in its best light.

Shows at the Union Theatre have a nasty habit of selling out quickly so if you are into musical theatre curiosities, this one runs until 20 April...

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