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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Cabaret: Karen Akers at The Crazy Coqs

The Brasserie Zedel, run by restauranteurs Jeremy King and Chris Corbin (of The Ivy, The Woolsey fame) which opened this summer, has given new life and a touch of French glamour to a formerly unloved hotel just off Piccadilly Circus in the heart of the West End. Their cabaret room, The Crazy Coqs is a beautiful art-deco space that is a great way to sample an evening of cabaret.

The last time I saw Karen Akers we were bemoaning that Pizza on the Park was shortly to be closing. But change isn't always a bad thing. Akers act was the same act (or possibly shorter) but in a smaller, classier space with a sensible cocktail it seemed all the more enjoyable. Akers has finished her run but there is great line up of acts running throughout the autumn with shows at 8pm and 10pm (I have also made a mental note to catch Miss Hope Springs some Sunday evening in the not too distant future).

Either timeslot allows for a quick bite at the Brasserie Zedel before or after the show. The space allows you to chose either comfortable seats around the side or some more upright ones in the centre of the room. The bar staff are friendly and service is efficient... It opens half an hour before each show and it is worth arriving early to make sure you have your preferred spot. Well worth popping in if you find yourself at a loose end in Piccadilly Circus...

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