Featured Post

One hundred people’s ninth favourite thing: [title of show] @swkplay

Image
[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor

Horsing around the UK: Dandy Dick


Dandy Dick is a mild Victorian farce that is full of energy and wit that you can't help but have a very civilised time. It was written in 1887 by Sir Arthur Wing Pinero and cheap laughs and farce are a priority over satire of witty observations. But it so well-acted and pulled off so stylishly that it is hard not to like, particularly in Richmond Theatre.

It is the fist major revival for forty years and tells the story of a the Very Reverend Augustin Jedd, who after a visit from his gambling mad and horsey sister, risks everything at the races. Cue the shenanigans of mistaken identity, runaway horses, romantic intrigue and mystery. There are some wonderful lines about horse meat that obviously had a more innocent meaning at the time they were written, but viewed from the present day conjure up a variety of interpretations. We weren't the only ones thinking this as one lady in front turned around at the interval and informed us that we had her sense of humour.

The production stars Patricia Hodge and Nicholas Le Prevost. They are supported by a rather talented ensemble that can sing, play music and keep things moving quickly.

This is the inaugural production of Theatre Royal Brighton Productions, under the artistic direction of Christopher Luscombe. The team are off to a good start. It's at Richmond this week and continues the national tour over the summer.

The Boo with @Johnnyfoxlondon follows, which muses about Victorian sensibilities, Pinero versus his contemporaries, and standing in a muddy field opposite the theatre...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Fantasies: Afterglow @Swkplay

Play ball: Damn Yankees @LandorTheatre