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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...

Damp June Nights: Liza at the (Hampton Court) Palace

As more than one person noted after Thursday evening's downpour, there was not a dry seat in the house at the end of Liza Minnelli's concert at Hampton Court Palace. Opening the Hampton Court Festival, the steady rain or hour long wait for the train home did not deter fans from jumping to their feet even before she sang.

Minnelli being from the old school of singing yourself hoarse does not have much of a high register anymore. While she seems like she sometimes tries to coax some sound out using sheer bloody mindedness, her signature songs don't sound like they used to. Of course her fans probably can't hear like they used to either so that might explained the high ovation quotient from the audience... But it is a shame that she either feels she has to sing them or her fans demand them from her. What is more interesting about her voice now is her incredible lower range. And when she calmed things down and performed songs just with her regular music director Billy Stritch on piano it was sublime. The above clip illegally recorded at the concert and posted onto youtube (Liza's fans seemed to ignore the no cameras no recording announcements) shows it is the moody and interpretive Liza rather than the brassy Liza that won the audience over...

The festival runs through to 24 June with various artists. It is a civilised place to bring a picnic, particularly since the food options are surprisingly very limited. Of course if you plan to arrive before seven you can clean out Waterloo Station's Marks and Spencer of peppers stuffed with goats cheese and mozzarella balls before the evening's commuters do. Dress warmly and bring your rain jacket with a hood. Anything outdoors in London this month will need it...

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Opera and full frontal nudity: Rigoletto

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David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
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Fantasies: Afterglow @Swkplay

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Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
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Play ball: Damn Yankees @LandorTheatre

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Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
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