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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Pain and passion: Cantina


The London Wonderground on the South Bank is currently playing host to Cantina, an Australian circus production that is unique in its blend of theatre and physical performance with a lashings of pain. Actually, a lot of pain. Broken glass, high heels, broken limbs feature so prominently it could be billed as the Cirque De Sade if that wasn't already the name for a fetish night in Canada.

The production manages to take the circus act and make it new by becoming sexy, violent and painful. Is it real or is it escapism? It is hard to tell but it is awfully enjoyable and classy night out full of laughs and some genuine surprises that will have audiences gasping.


You won't feel alone gasping... The action takes place in the round so you can see other audience members. On press night I had the occasional yelps and surprised expressions of the lovely actress Olivia Hallinan in my field of vision. Of course the intimate surroundings of the Paradiso Spiegeltent gives an added intensity to the performances that range from traditional circus acts to dance, magic and movement.

You can smell the wood, feel the muscles flinch and see the beads of sweat as you're transported into another world... It's a dirty vaudeville kind of a world where faded glamour, torn hemlines and stained suits and threadbare underwear or even the occasional glimpse of full frontal nudity is the order of the day. The music is live and includes some fine ukulele and musical saw playing. Audiences will be on the edge of their seats watching these incredibly amazing performers as they move and contort their bodies into positions that people could not imagine were possible.

The show runs for an hour, but I think that is just the right balance of variety and intensity for one evening. And it also gives plenty of time to grab a glass of wine and a slice of pizza outside to contemplate it all after the show. Just don't attempt anything dangerous with bottles or broken glass... Leave it to the experts... Or the insanely acrobatic... It runs through to September 30.

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