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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor

Let the blood run free musical: Sweeney Todd



Stephen Sondheim's Grand Guignol musical-opera Sweeney Todd is back in the West End. This time it is with the versatile (and somewhat unrecognisable) Michael Ball in the title role and Imelda Staunton as Mrs Lovett, his partner in crime. The tale has been told in many forms, and the last time it was on the West End was in John Doyle's wonderfully claustrophobic production where the cast doubled as the orchestra. This time around, this Chichester Festival transfer provides a slightly more traditional staging of the production with a grand set and elaborate set pieces. Of course, it is still probably Victorian London as the story does not make sense in any other period, but you could be forgiven with the odd car, costuming and set decoration that it could also be the 1930s...


Anachronisms aside, what makes this show a thrill is the interpretation Imelda Staunton gives as Mrs Lovett, the woman who owns the pie shop below Sweeney Todd's barbershop. If you ever wondered what Vera Drake the musical could be like you get a sense of it here. She gives the material a fresh perspective with a combination of a matter of fact EastEnder-ness and brilliant comic timing. Also worthy of a mention is James McConville in the role of the boy Tobias who manages not only to sing very nicely but also pull off some difficult crowd scenes while singing Sondheim's notoriously elaborate music...

The cast has a great time, and by the end of it, many in the audience were on their feet applauding. Mind you, there was someone behind me who was a bit squeamish about blood... I wondered if they thought they were going to Matilda... It's now playing at the Adelphi Theatre on The Strand. Sweeney Todd tickets available at the usual outlets, and the Dress Circle seats are excellent for taking it all in... And if you're too squeamish it's far back enough so you can think it is all just tomato sauce...

Boo musings with @johnnyfoxlondon follow...

listen to ‘Serial boo: Sweeney Todd’ on Audioboo

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