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Heavy meta: Why am I So Single? @sosinglemusical

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Being young and single never seemed so fun, full of energy, yet full of contradictions in this high-concept meta-musical, Why Am I So Single? The fourth wall is not so much broken as endlessly pummelled as the cast talks directly to the audience. Frequently. But essentially, it’s about young people with neuroses and smartphone addiction exploring why they can’t find love in present-day London. Told with a series of spectacular songs and dance scenes in this new musical from the creators of Six, Toby Marlow and Lucy Moss. But while we don’t necessarily get an answer that rings true to the question posed by this show, you are likely to be distracted mainly by the energy and the songs. It’s currently playing at the Garrick Theatre.  A new musical based on an original idea, the premise is that Oliver (Jo Foster) and Nancy (Leesa Tulley) - which are not their real names but names taken from their favourite musical, Oliver - have to write a new musical but are stuck for an idea. So, after e

Theatre: The Shallow End


The Shallow End currently playing at the Southwark Playhouse is an opportunity to revisit this satire on British media with recent events of phone hacking, arrests, resignations and enquiries in mind.


The play is set at the wedding of a media mogul's daughter, who has just brought a broadsheet newspaper and it about to take it downmarket. During the celebrations the axe is about to be weilded on the old guard as debates about about the future of a newspaper in the digital age.

Playwright Doug Lucie notes in the promotion materials that the play was originally attacked when it premiered in 1997 as being hysterical and inaccurate. He notes today that the work probably doesn't go far enough with what is known now about the business. Drug use, sex and coarse language abound in this work. What is missing is the entrenched corruption and cosy relationships between the press, politicians and police. And the public's insatiable appetite for buying news of triviality, or selling stories about C-list celebs to the papers in the first place... Perhaps that is for another play...

Presented as a series of unrelated scenes, it does feel a little disjointed and overlong as a piece. And it would have been fun to have cast the characters to resemble the current crop of News International players. But it is quite fun to watch nevertheless and fascinating piece to revisit. It runs until 3 March.

Audioboo reaction with @Johnnyfoxlondon and Adrian from Melbourne Australia follows...

Shallow Boo: the Shallow end (mp3)

 

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