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The Green, Green Grass of Home: Mr Jones An Aberfan Story - Finborough Theatre

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A life of hope and promise, interrupted, lies at the heart of Mr Jones: an Aberfan Story. The play follows two young people in Aberfan before and after the disaster that killed 144 people, including 116 children. It’s an emotional coming-of-age tale of intersecting lives, family, love, and the shock of tragedy. With two vivid performances and strong characterisations, you feel immersed in 1960s Welsh small-town life. It’s now running at the Finborough Theatre , after performances at the Edinburgh Festival and across Wales.  The Aberfan disaster is well known in the UK but perhaps less so elsewhere. The facts of the tragedy are confined to the programme notes rather than in the piece. On 21 October 1966, the catastrophic collapse of a colliery spoil tip on a mountain above Aberfan engulfed a local school, killing many. The play avoids the causes and negligence, instead focusing on those working and building lives in the town.  Writer-performer Liam Holmes plays Stephen Jones, a...

Theatre: The Shallow End


The Shallow End currently playing at the Southwark Playhouse is an opportunity to revisit this satire on British media with recent events of phone hacking, arrests, resignations and enquiries in mind.


The play is set at the wedding of a media mogul's daughter, who has just brought a broadsheet newspaper and it about to take it downmarket. During the celebrations the axe is about to be weilded on the old guard as debates about about the future of a newspaper in the digital age.

Playwright Doug Lucie notes in the promotion materials that the play was originally attacked when it premiered in 1997 as being hysterical and inaccurate. He notes today that the work probably doesn't go far enough with what is known now about the business. Drug use, sex and coarse language abound in this work. What is missing is the entrenched corruption and cosy relationships between the press, politicians and police. And the public's insatiable appetite for buying news of triviality, or selling stories about C-list celebs to the papers in the first place... Perhaps that is for another play...

Presented as a series of unrelated scenes, it does feel a little disjointed and overlong as a piece. And it would have been fun to have cast the characters to resemble the current crop of News International players. But it is quite fun to watch nevertheless and fascinating piece to revisit. It runs until 3 March.

Audioboo reaction with @Johnnyfoxlondon and Adrian from Melbourne Australia follows...

Shallow Boo: the Shallow end (mp3)

 

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