Featured Post

Searching undeterred: The Gift @ParkTheatre

Image
I recently had a few parcels go missing from where I live. The first parcel disappeared without a trace. The second parcel's contents were removed, and the box was left alone in the lobby. It's one of the things that you have to put up with living in central London. Apart from complaining to the delivery company and filing a police report, it crossed my mind to think about what would happen if I sent myself something rather unpleasant for a future parcel thief to open up. Well, Dave Florez's new work, The Gift, is in this line of thinking, except that the lead receives an anonymous gift of a turd in the mail rather than sending it to himself. It is lovingly gift-wrapped in a cake box from a posh north London bakery. It's a fascinating and hilarious three-hander currently playing at Park Theatre .  Colin (Nicholas Burns) is a little obsessive at the best of times. He doesn't let things drop quickly and is obsessed with the details behind anything and everythi...

Theatre: The Importance of Being Earnest The Musical


The Importance of Being Earnest, The Musical currently playing at the Riverside Studios Hammersmith, turns out to be a nice little Christmas surprise. The show with a book by Douglas Livingstone and score by Adam McGuinness and Zia Moranne takes Oscar Wilde's play and turns it into a brisk and witty affair that captures the essence of the comedy while feeling like a distinct show in its own right.


The music updates the story to the 1920s and is a mix of styles of the time. What is most remarkable is how the music manages to propel the story along rather than get in the way. It captures the period nicely while adding some additional shadings to the characters which dare I say make them a little more sympathetic than in Wilde's play.

Actor/broadcaster/writer/former politician Gyles Brandreth headlines the show as a mildly masculine Lady Bracknell. While Brandreth in the role might make you assume there is a touch of panto to the proceedings, he is not doing drag. His fully realised and gravelly characterisation is delivered with an obvious affection to the source material, and you get a sense he is fulfilling a curious lifelong dream to play this part. I was half wondering given the production has denied an older actress the chance of playing the best character in the play whether the gender balance would be redressed by having one of the dandies played by a female but this was not to be.

While the rest of the cast are good, Susie Blake as Miss Prism and Edward Petherbridge as Dr Chasuble give the production an added touch of class. Particularly as they coyly sing about love and deftly handle some tricky lyrics about the "Muse that made me abuse my station, The very Muse that lit the fuse of my creation."

All told it is good fun and a nice diversion for the holidays. And be sure to check out James Alexander Matthews bronze sculpture of Lady Bracknell in the foyer. Brandreth has been captured in bronze for posterity! It finishes on 31 December, catch it if you can...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...