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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Opera: La Sonnambula


 Opening night of La Sonnambula at the Royal Opera was an opportunity for Eglise Gutiérrez to show off some incredibly light yet lingering high notes in this piece about jealousy, mistaken identity... And sleepwalking. It is a mildly silly opera but the piece by Bellini with its music and creative forces at work make you overlook these things and the let the action unfold in what looks like a large railway station foyer.

The cast are great and rising star tenor Celso Albelo makes his Royal Opera debut as the jealous composer Elvino. But the real passion and drama was perhaps watching Gutiérrez and conductor Daniel Oren create music together. It was exhausting yet exhilarating and what any good night at the opera surely is about. Nothing too serious but lovely music set to a mildly amusing farce, complete with a domineering mother. It runs through to November 18.

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