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The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

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Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...

Theatre: The Mercy Seat

The Mercy Seat by Neil LaBute is hard hitting and controversial. Originally staged in 2002, it no doubt caused a stir when first staged a dark and cynical look at human emotions against the backdrop of the 9/11 terrorist attacks.

Ten years on, time gives it a different perspective. It feels less shocking and the more understandable. Perhaps it helps having lived in London through a summer of mindless random criminal acts... Riots, police corruption, general economic malaise... Life can seem a lot like how LaBute describes it: random and opportunistic. And given the right set of circumstances anyone can do anything.

Against this backdrop is Ben and Abby (played by Sean O'Neil and Janine Ingrid Ulfane). She is his boss and he is married. Both should have been at the Twin Towers but a morning dalliance meant that instead they were at her flat. And now against the tragedy there is a potential opportunity.

To give too much away would spoil the play, but watching the chemistry between the two actors as they alternate between sparring and embracing each other is fascinating and brutally believable. It is a roller coaster ride and after a slow build up things move quickly throughout the one hour forty minutes at the theatre. The intimacy of the Pleasance theatre makes watching the proceedings at times almost voyeuristic and unbearable. But like all good drama you can't resist watching. It runs until 16 September.

Immediate impressions from the Audioboo below (with thanks to Webcowgirl)
Theatre: The Mercy Seat at Pleasance Islington (mp3)

A chance to also reflect upon the fact that ten years ago there was not much social media. Sure there were blogs, but with no wifi, no tweets no audioboos... How did we live our lives?

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