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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor

Opera Last Look: Werther



If opening night was a sensation watching Rolando Villazon in the title role, closing night didn't disappoint either. At the curtain call Villazon was very excited and shouting like a very satisfied man. The audience was on its feet applauding. It was mutual admiration. Villazon's performance made Werther, a tragic story about a young troubled poet who falls in love with a woman committed to someone else, incredibly passionate and engaging. His act three aria was worth the price of admission alone. Even in the context of an incredibly melodramatic opera, you couldn't help but be drawn into this world. And at the curtain call I couldn't help but think he must be awfully fun at parties.

Opposite Villazon was Sophie Koch playing Charlotte, the woman who is his obsession sounded great too. But focus of the  opera is the tragic young poet. With Antonio Pappano in the orchestra pit, the music was incredibly lush and intense. All breathtaking stuff... It was enough to make you want to go home and write obsessive poetry for hours. Here's looking forward to Villazon's next engagement with the Royal Opera.

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