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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor

Music: Michael Feinstein

I caught Michael Feinstein's final concert at the Leicester Square theatre and he is sounding as good as ever. The last time I saw him he was performing with a big band at the Palladium. There was much gushing and gratuitous cameo celebrity appearances. This time around things were much smaller scale and far more enjoyable...

The programme included a selection of songs from the likes of Gershwin and Porter, which is now classified as "The American Songbook" A rather generic label for any song that is old (in danger of being lost), with a pleasant tune, and lyrics that are usually well written.


While his performance introduced a few new songs into the mix, what is nice about listening to Feinstein is his ability to give these songs a new lease of life. Even for songs you have heard him sing before he manages to make them sound as fresh and as interesting as they could ever be.

He has two new albums out as well - one with Barbara Cook and the other Fly Me To the Moon with guitarist Joe Negri. I still like his songs by the Gershwin's album best, Nice Work If You Can Get It. It must be fun travelling around singing this songs. And for a man in his fifties he is looking good for his age and in great shape... Maybe that is the trick to looking young and fit by being surrounded by audiences that are older and fatter... Or perhaps a sign that his fanbase could be broader...

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