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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Music: Andreas Scholl and Philippe Jaroussky


Purcell - Philippe Jaroussky,
Uploaded by midu92. - See the latest featured music videos.

An evening with two countertenors might be one thing, but when they are Philippe Jaroussky and Andreas Scholl it makes for quite a night (albeit an androgynous one) at the Barbican. The countertenor is the twentieth century response to the castrati performers of past. But the arrival of some very talented (and rather good looking) men such as Scholl and Jaroussky has put this singing onto a whole other level.

I'm assuming the above video from a previous performance was posted on the internet by one of Jaroussky's groupies, who travel the world to see him perform (and reportedly go weak at the knees and post loads of clips on Youtube). The fan base is probably too sophisticated to throw knickers on stage at the end of the concert, but at Tuesday night's sold out performance there were plenty of fans of both men there, and they showed their appreciation instead through rapturous applause. And of course the men deserved this attention.

What was striking about this concert were the performances and when the two performed together their voices complemented each other beautifully. The audience was generous in its praise and while Purcell like other early music composers is not necessarily the first music I would turn to listen to, I was more than happy to enjoy an evening of it.

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