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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Theatre: Tomorrow Morning

Tomorrow Morning has been playing at the Landor Theatre in Clapham North for the past month and is a great little show. It is a four-hander musical about a young couple (well sort of young since Jon Lee is one half of it) getting married, and an older couple getting divorced. I don't want to say the second couple is old as it appears the couple getting divorced are no older than me and have fabulous jobs and tight fitting suits. Despite the divorce and the child custody issues you still get a sense they are living the dream though slim cut tailoring...

The show was first presented a few years ago and has gone through some revisions since then. Here it is presented as a very slick engaging production with an incredible cast. Heading it up with Jon Lee is the lovely Julie Atherton along with Grant Neal and Yvette Robinson. The performances make this show very memorable and the production is one of the best looking I have seen at the Landor. The set comprises of a series of sofas and cupboards that open and reveal things about the characters. Although maybe all those recent home improvements I have been undertaking has led me to develop in unhealthy fascination in cupboard doors and sofas that look like they were from Ikea...

The music is reminiscent of Sondheim and Jason Robert Brown and shows like I Love You Because and I Love You, Your Perfect Now Change. Actually after listening to them all they all seem to start to share the same set of values (and plots) it made me wonder whether slightly quirky heterosexual musicals with mild angst is an emerging sub-genre.

It runs until 13 November so catch the last few performances of this production while you can... Julie Atherton's latest CD was available in the foyer or iTunes and it isn't a bad little collection either...

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