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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor

Theatre: Onassis



After catching Onassis the Play at the Novello theatre on the weekend, I found I rather enjoyed the smooth and dirty talking central character.

On one hand it is a silly play that goes on a bit. On the other hand it is entertaining with some great dialogue and an engaging performance by Robert Lindsay in the title role. And there is also Tom Austen, playing the surly son Alexandro, stripping down to his underwear for a nighttime swim. It all makes for a great night out.

Whether it is a realistic depiction is probably up for debate. The women in his life - Callas and Jackie O - are more caricatures than real people here. And when things start to get interesting dramatically it is another excuse for some Greek singing. Historical moments fly by as the play moves from being set on his boat to his island. It all seems very glamourous. 

There are some great monologues in the play, including one where Onassis talks about how his experience being sodomised as a young man made him better understand what a woman feels like to have him inside her... While out of context it may seem bizarre, watching it slowly unfold. With pauses. On stage. Seemed so masculine... So Greek... So manish... Yet so tender... It was enough to make you want to go out and get some women, or at least do some sort of manly things. I was painting a living room the next day (which surely must count) and I'm sure my roller technique was much suaver for seeing the show.

First impressions are below, but worth catching in its limited run...

Listen!

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