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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Opera: Niobe, Regina di Tebe

A three hour baroque opera on a Saturday night is probably not going to be everyone's cup of tea. I am not a fan of the baroque period of music with all those intricate melodies that go on and on and on... And then repeat... So bearing in mind these narrow-minded preconceived notions, it is somewhat surprising to find how enjoyable it is to sit through Niobe, Regina di Tebe.

There is some fine singing by Véronique Gens in the title role and male soprano Jacek Laszczkowski as the King of Thebes. And it is quite a surprise to hear him sing too. I also enjoyed the slightly comic / malevolent performance by Alastair Miles, who wore a most intriguing costume and gave the production relief and drama. Actually there was enough drama and intrigue in the opera to keep anyone alert and attentive. In the orchestra pit was the Balthasar Neumann Ensemble and they sounded great and even by Royal Opera's usual standards of production design (although Don Pasquale might be an exception) this was a pretty good looking show...

The Royal Opera's behind the scenes video includes highlight from the production. There are two more performances of it and it is worth catching. Good seats are bound to be available given those perceptions are going to be hard to shift in the space of a week... Despite the glowing reviews...

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Opera and full frontal nudity: Rigoletto

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Fantasies: Afterglow @Swkplay

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Play ball: Damn Yankees @LandorTheatre

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Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
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