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Two Ladies: La Bella Bimba at Barons Court Theatre / Canal Cafe Theatre

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T hey sing. They dance. They clown around. They even wash clothes! Such is the story of La Bella Bimba, part of the Voila Theatre Festival, which highlights new and emerging artists. A tale of two Italian ladies who land in 1920s New York, trying to break into Broadway without speaking a word of English. It’s harmless, primarily even if a little nonsensical, and is currently playing as part of the Voila! Theatre Festival .  I caught the performance at the Barons Court Theatre , where the intimate setting created an evocative atmosphere reminiscent of dark New York alleyways. The space was almost claustrophobic with a distinct smell of rising damp, making you feel immersed in the story of two Ladies hanging around the theatre doors of Broadway. On the plus side, the theatre has some of the most comfortable seats you will find in any pub theatre in London. As the naive and hopeful singers, Co-creator Lucrezia Galeone as Carlotta and Sarah Silvestri as Cecilia are fine singers with co...

Music: Maria Friedman singing Sondheim...

After taking a break from the cultural life of London during July, last Friday I found myself watching Maria Friedman singing Sondheim. The last time I saw her it was a bit of a mixed bag, and the person next to me fell asleep. This time around she seemed a lot better and nobody was asleep. Maria may not be the best singer around, but her voice is suited well to Sondheim's music, which after listening to for an entire evening, you realise is not necessarily always music... Maria was able to convey the right amount emotion, whether it was humour, anguish or tears and for a Sondheim song that's often more important than hitting the right notes...

The programming choice was a little odd at times. I don't recall ever seeing a recital opening where the singer walks out cloaked in black as if she is channelling Michelle Pfeiffer in Ladyhawke. She then proceeds to sing a series of songs from the obsessive compulsive musical Passion, which out of context was a bit of a downer. Fortunately the cloak did not stay on for long and she took it off and let things rip with songs from Evening Primrose to Into the Woods. By the time she ended the first act with the song Broadway Baby from Follies the audience of mostly old queens were screaming.

Still, an evening of Sondheim can be pretty tough going. Particularly when the choice of songs were more torture torch songs than light-hearted fare. I could have done with some more laughs, particularly as I have a few more Sondheim shows ahead of me in the coming weeks... I could end up losing my mind...

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