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One hundred people’s ninth favourite thing: [title of show] @swkplay

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[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor

Music: Sondheim at the Camden Fringe

The Camden Fringe is on at the moment which is an opportunity to see some strange and interesting new theatre... It also feels like an excuse to just "put on a show" in the Judy and Mickey kind of way... This was somewhat apparent with the Sondheim at 80 review I caught with Johnnyfox on Tuesday evening.

It finished its short run this week and there isn't too much you can complain about a bargain basement show like this. It is great that Camden is using its spaces in August to encourage this sort of thing. I can only assume that the "deer in headlights" looks of the cast members lessened for the later performances, and that they remembered all their lines...

My only other thoughts were that an evening of all Sondheim can be tough going... And that the show Passion should be left out of any anthology as it provides too many unintentional laughs listening to the songs out of context... I'll find out next month if this changes when watched in the correct dramatic context when the Donmar stages it...

Listen!

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