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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Music: Out of the Piano

It's been a busy week with Seven Deadly Sins at the Roundhouse, but in amongst all the rehearsals I did get a chance to see the third Tim Williams Award for musical composition. It is a competition that presented 21 news compositions to lyrics taken from classical or established text, performed by various West End and sensible professionals...

While 21 new compositions are bound to be a mixed bag, there were a few rough diamonds in here... The winning song by Christopher Hamilton called Burn and performed by Diannne Pilkington was one of those rare moments that just surprised the audience and had us bursting with laughter.

There is a full podcast of the show on Musical Talk, or just some silly post show banter (much shorter too) from Audioboo... The next awards are in October. Here's hoping there are more comic songs... We can do with the laughs...

Listen!

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Opera and full frontal nudity: Rigoletto

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Play ball: Damn Yankees @LandorTheatre

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