Featured Post

One hundred people’s ninth favourite thing: [title of show] @swkplay

Image
[title of show] takes you back to a time before the fast paced social media where word of mouth for a positive show came from chat boards, video diaries or (god forbid) blogs. A simple staging makes it an ideal (and economical piece to stage), but it’s sweet and earnest take on just putting on a show, and putting it out there and taking a chance gives this show its heart. With a strong and energetic cast and endless musical theatre references, it’s hard to resist and it’s currently playing at the Southwark Playhouse .  It opens with Hunter (Jacob Fowler) and Jeff (Thomas Oxley) as struggling young writers in New York City. An upcoming New York Musical Theatre festival, inspires them to write an original musical within three weeks to make the deadline. As they discuss ideas, writers block, distractions and endless other good and bad musicals, an idea for a show emerges. Which is about writing a show for a musical theatre festival.  Their friends Heidi (Abbie Budden) and Susan (Mary Moor

Music: Karen Akers

Karen Akers is playing at Pizza on the Park this week. Ms Akers is probably not so well known in London, but she was in the original Broadway cast of Nine and Grand Hotel. She also had a small role in the film Heartburn. These things I know, but she has also spent a lot of time in the last thirty years just recording and performing songs in her own way. This way is mostly a dark alluring alto voice which would make you do anything for her... Her ability to sing a song and hold your gaze might also have something to do with it...

Sitting in the front row it could be a little unnerving at times... particularly when you have Johnnyfox serenading her back on your right, and a crazy looking Dutch man at the table on your left looking at her with a wide-eyed fascination that couldn't be healthy (well I think that's what his wife sitting next to him and clutching him was thinking)... At one stage he looked as if he was about to get on stage and help her with her microphone stand when it became a bit stuck... When she tells the audience "I was grabbing it at the wrong end" that was not a comment that our table could let hang there without some schoolboy tittering...

Tonight she was singing was the music of Cole Porter. Her interpretation of the songs make them feel as if they are new. It was amazing to watch her turn a song like "Don't Fence Me In" into something that could almost be a torch song... Songs like "I Love Paris" gave her a chance to sing in French as well.

An evening to meditate over Cole Porter was not what I was expecting but I was sure glad to have been there to see it. Her show runs through to Sunday and worth catching.

This is probably the last time I will be at Pizza on the Park... Soon its funky artwork and low ceiling room will be a thing of the past... So it was only appropriate that a final semi-coherrent audio-boo captured those lasting impressions... Some of which are not quite accurate... She isn't old for instance, she is only sixty-five...

Listen!

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial security
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...