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More sex and violence: Playfight @sohotheatre

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The funny thing about three girls growing up under a tree is that you never quite know when they're being serious or just messing about. One time, they might be talking about giving blow jobs on a tennis court at school and another, they might be yearning for a connection that they can't quite explain. That's what happens in Playfight, an Edinburgh Fringe Festival 2024 hit currently showing at Soho Theatre .  Writer Julia Grogan doesn't give us much time to dwell on the lives of these three young teenage girls. One minute, they're fifteen and giggling, and then the next thing, they're off getting married or going to University. But underneath all the smutty talk, humour, and quick scene changes, there is a darker underbelly about relationships, power, and consent. It's about finding your way in a complex world that can dehumanise and degrade you. But as things move so quickly, you could blink and miss it. This is too bad as the performances capturing this co...

Theatre: Eurydice

Vox Pops Dr 3 F9 480p (16x9) from David Newell on Vimeo.


Eurydice takes greek mythology and gives it a twist focusing on the loss, memory and redemption in this production at the Young Vic. Maybe all this death and loos has been putting people off from seeing it as Saturday night's audience could have been larger. The play itself is not bad at all and full of mildly surreal scenarios with water that can leave a lot to your imagination.

The play opens with Eurydice and Orpheus about to go for a swim and then off to get married. Meanwhile her father is writing letters of advice to her for her wedding to her but she is not getting them. On her wedding night she leaves the party lured away by a man who says he has one of his letters... Soon she is in the underworld and Orpheus is trying to get in touch with her... One of the problems with this play is that there is no sense about how much Eurydice and Orpheus like each other... Sure they are practically naked with swimming goggles at the start, but you get the impression Orpheus is Mr Right Now rather than Mr Right. Eurydice seems ambivalent and Orpheus seems more interested in his music...

Still, the focus of this play seems more about memory and loss and the scenes in the underworld are great, including a young boy on a tricycle and three actors playing stones who manage to speak in unison throughout. And at 80 minutes long (with no interval) this was a whimsical enough diversion for the evening... Go for the meditation on memory... The relationships probably won't entice you as much... It runs until 5 June before touring and discounts are available (including through facebook)

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