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Life upon the wicked stage: Already Perfect at Kings Head Theatre

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Performing two shows a day on a Broadway run sounds exhausting enough. But when you’ve just had a not-so-great matinee and are having a crisis of confidence, I would assume the last thing you’d want is to confront your past. Yet that’s the situation in Already Perfect, writer-performer Levi Kreis’s slightly autobiographical journey of confronting the past and his younger self. With a series of toe-tapping and emotional songs in a sleek production, you’re invited to experience someone else’s therapy session. And with a show title called Already Perfect, you know what kind of session this is going to be. It makes for a show where nothing is left unsaid, even if it is unnecessary,  unbelievable or best left on a greeting card. It’s currently playing at the King’s Head Theatre .  The story begins in his dressing room after a matinee, with Kreis alone. The show didn’t go so well. Struggling after being dumped by a lover, pressure mounting on the evening show being filmed for poster...

Opera: Aida

The Royal Opera continues in its current trend to show flesh with its slightly naughty version of Aida. I caught up with it on opening night last week, and this new production looks great. And with plenty of partial nudity, it can be a little distracting. While it has been a controversial choice in staging, I thought it helped since I really don't care for Aida as an opera - a small story blown out into epic proportions that goes on forever. Still, conductor Nicola Luisotti also gets a great sound out of his orchestra and chorus (if perhaps not his soloists). His thoughts on the opera are captured in the latest podcast from the Royal Opera as well.

Opening night was also a charity fundraiser with HRH in attendance (wheeling in his wife), so the standard of dress was a little bit better than usual at Covent Garden as well... It runs until 16 May and worth catching.

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