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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...

Play: Holding the Man



On election night, I was in Whitehall at the Trafalgar Studios watching the Australian (gay) play Holding the Man. The play is about two boys and their fifteen year relationship from meeting at a good Catholic school in Melbourne in the late seventies through to the early nineties.  It is based on the book of the same name. The story is part coming of age, part coming out, part gay life in oz in the eighties, and part dealing with HIV and AIDs. Two out of the four parts are quite depressing, but at least the coming out and coming of age parts are charming.

Surprisingly for a play that has won a lot of awards (in Australia), I found it to be like a cliff notes version of the book. While I have not read the book, after seeing the play I feel I have a sense of its geography, but not its sentiment. The direction and staging don't help much either, which is fairly uninspired with too many "comic" diversions and a set that looks like a tip.

This is a shame as the cast are great and the chemistry between the two leads Guy Edmonds and Matt Zerimes was very believable and they are two actors to watch in future... Jane Turner and Simon Burke are also in the cast but they play mostly comic supportive roles. It is nice to see them both, particularly Turner, making her West End debut, but I was not quite sure what they added to the show.

The play is at the Trafalgar Studios, where Dirty White Boy is also playing. I think they would make an excellent double bill of Holding the Dirty White Man. Both plays are surely worth catching if you are a single gay male about town. Johnnyfox switched on his Grindr in the theatre and the thing went crazy. It is fascinating to see slightly undressed versions of people who are just metres away from you as well... Well, if you like that sort of thing...

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