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The Green, Green Grass of Home: Mr Jones An Aberfan Story - Finborough Theatre

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A life of hope and promise, interrupted, lies at the heart of Mr Jones: an Aberfan Story. The play follows two young people in Aberfan before and after the disaster that killed 144 people, including 116 children. It’s an emotional coming-of-age tale of intersecting lives, family, love, and the shock of tragedy. With two vivid performances and strong characterisations, you feel immersed in 1960s Welsh small-town life. It’s now running at the Finborough Theatre , after performances at the Edinburgh Festival and across Wales.  The Aberfan disaster is well known in the UK but perhaps less so elsewhere. The facts of the tragedy are confined to the programme notes rather than in the piece. On 21 October 1966, the catastrophic collapse of a colliery spoil tip on a mountain above Aberfan engulfed a local school, killing many. The play avoids the causes and negligence, instead focusing on those working and building lives in the town.  Writer-performer Liam Holmes plays Stephen Jones, a...

Seven observations on Megan Mullally's First Night in London

  1. Not counting the West End Whingers and friends, the audience for Megan Mullally and Supreme Music Program appears to be a mix of gay men and their mothers. And lesbians. Some lesbians even brought banners to unfurl during an opportune moment. Here's hoping this is a new trend in the West End for lesbians with banners amongst the audience, particularly if they help performers feel less nervous...
  2. When she sings George Jone's The Grand Tour, a song about a man who finds his wife has left him and taken their child, it brought the house down. She sings the song from the point of view of the man, as originally written which went down well with the audience... It's not really lesbian music, but it could be.
  3. The band sounds great and the choice of music is refreshing with a mix that isn't old standards or songs from shows she has been in...
  4. The show promotes her Will and Grace fame to get the punters through the door, and then delivers an evening of great and lacklustre performances of songs of death and despair. So it was understandable that some in the audience felt cheated. The voice is always there though even if Megan isn't...
  5. Given nowadays you're lucky to have performers on stage sober and singing in tune (last night's Brit Awards spring to mind), I had lower expectations than to think we would be getting music with a performance, a nice outfit, flattering lighting or coherent explanations about the origins of the music.
  6. Could somebody please can listen to her anecdotes and then write them down in a script that she can learn?
  7. I must learn how to pronounce her name at some point... particularly if trying to make Audioboos while holding a gin and tonic...

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