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The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

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Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...

Seven observations on Megan Mullally's First Night in London

  1. Not counting the West End Whingers and friends, the audience for Megan Mullally and Supreme Music Program appears to be a mix of gay men and their mothers. And lesbians. Some lesbians even brought banners to unfurl during an opportune moment. Here's hoping this is a new trend in the West End for lesbians with banners amongst the audience, particularly if they help performers feel less nervous...
  2. When she sings George Jone's The Grand Tour, a song about a man who finds his wife has left him and taken their child, it brought the house down. She sings the song from the point of view of the man, as originally written which went down well with the audience... It's not really lesbian music, but it could be.
  3. The band sounds great and the choice of music is refreshing with a mix that isn't old standards or songs from shows she has been in...
  4. The show promotes her Will and Grace fame to get the punters through the door, and then delivers an evening of great and lacklustre performances of songs of death and despair. So it was understandable that some in the audience felt cheated. The voice is always there though even if Megan isn't...
  5. Given nowadays you're lucky to have performers on stage sober and singing in tune (last night's Brit Awards spring to mind), I had lower expectations than to think we would be getting music with a performance, a nice outfit, flattering lighting or coherent explanations about the origins of the music.
  6. Could somebody please can listen to her anecdotes and then write them down in a script that she can learn?
  7. I must learn how to pronounce her name at some point... particularly if trying to make Audioboos while holding a gin and tonic...

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