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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Movies: A Single Man



Some movies just linger in the mind a few days after seeing them. The none-too-subtle use of colour, period setting and innuendo in Tom Ford's A Single Man is one of these. Watching a movie set in 1962 in a the Chelsea Cinema, which has kept its retro 1973 interiors largely intact, also aided with the atmosphere. It's as if you could be part of the film, living in Colin Firth's lovely glass house thinking about topping yourself. Well who knew that suicide could be so stylish and sophisticated? It was hard to believe anybody in this film could be suffering in any way given they wore such lovely Tom Ford clothes and had such tight skin pores, but if you suspend disbelief about the story and go along for the lesson in style, it is a trip worth taking. Have made a mental note I need a facial though...

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