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Heavy meta: Why am I So Single? @sosinglemusical

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Being young and single never seemed so fun, full of energy, yet full of contradictions in this high-concept meta-musical, Why Am I So Single? The fourth wall is not so much broken as endlessly pummelled as the cast talks directly to the audience. Frequently. But essentially, it’s about young people with neuroses and smartphone addiction exploring why they can’t find love in present-day London. Told with a series of spectacular songs and dance scenes in this new musical from the creators of Six, Toby Marlow and Lucy Moss. But while we don’t necessarily get an answer that rings true to the question posed by this show, you are likely to be distracted mainly by the energy and the songs. It’s currently playing at the Garrick Theatre.  A new musical based on an original idea, the premise is that Oliver (Jo Foster) and Nancy (Leesa Tulley) - which are not their real names but names taken from their favourite musical, Oliver - have to write a new musical but are stuck for an idea. So, after e

Theatre: An Inspector Calls

It's January so it is Get Into London Theatre time... Which is a great way to see a play for a bargain that you might have been ambivalent about seeing previously. One such play I was ambivalent about was the revival of An Inspector Calls, directed by Stephen Daldry. Having now seen it, I still remain ambivalent. Sure I understand how important it must have felt when this production first came on the scene in 1992. Thatcherism was a very recent memory and was a critique of her legacy as much. However eighteen years on, times have certainly changed... And the play feels overproduced and overstaged. And (on the night I saw it...) over-acted...

There is nothing subtle about the JB Priestly's text, which is fine from a historical point of view, but this production decides to ram things home in big large letters, and a tiny little house... And if you aren't being deafened by the nightmare sequence score from Vertigo, you find yourself being moistened by the mist from the rain machine... For a drawing room drama, it all seems like overkill... Still it has proved popular and with Get Into London Theatre prices, it's cheap enough to enjoy being ambivalent. The play runs until March and GILT has been extended now until then too...

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