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Heavy meta: Why am I So Single? @sosinglemusical

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Being young and single never seemed so fun, full of energy, yet full of contradictions in this high-concept meta-musical, Why Am I So Single? The fourth wall is not so much broken as endlessly pummelled as the cast talks directly to the audience. Frequently. But essentially, it’s about young people with neuroses and smartphone addiction exploring why they can’t find love in present-day London. Told with a series of spectacular songs and dance scenes in this new musical from the creators of Six, Toby Marlow and Lucy Moss. But while we don’t necessarily get an answer that rings true to the question posed by this show, you are likely to be distracted mainly by the energy and the songs. It’s currently playing at the Garrick Theatre.  A new musical based on an original idea, the premise is that Oliver (Jo Foster) and Nancy (Leesa Tulley) - which are not their real names but names taken from their favourite musical, Oliver - have to write a new musical but are stuck for an idea. So, after e

Movies: Nine



Back in London, a good cure for jet-lag is a movie... Although watching the movie musical Nine was probably not the best option... Only curiosity to see if it would get any worse kept me awake. The fatal flaw of this movie is to cast Daniel Day Lewis - a creepy actor at the best of times (as the above interview junket for the film shows) - in a role that required the audience to have some element of sympathy for him. It also doesn't help that in between the musical numbers there is some absolutely dire dialogue mostly set in hotel rooms spoken by actors with outraaaaeegeeshly leeedicrious accents. Best (or should that be worst) is Nicole Kidman's which varies from eeetaylian to okker Aussie mid sentence. It was hilarious even if her screen time was brief.

There are some nice numbers sung by women in various types of pantyhose but after the best number in the movie - A Call From the Vatican - you feel like you could be Penelope Cruz's gynaecologist. Director Rob Marshall managed to strip any sense of sexiness out of Chicago and he again does it with Nine. Even worse is that he allows Sophia Loren (in what could be her swan song) to look like a drag queen. Judi Dench's character has been relegated to costume designer, singing a French song with an English accent or having to speak some pretty cringeworthy dialogue. Other cast members come of slightly better, although here's hoping that no future musicals have songs with lyrics that use "neo-realism"...

A pity really as it probably could have been a better film, even if the show it is based on isn't much of a story it has some great set piece numbers (many of which have been cut for the film or rewritten). Going by the box office takings it will disappear shortly. Go if your curious, or stuck for a decent film at the cinema that isn't a a 3D James Cameron epic... Otherwise look for it on bit torrent...

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