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The greatest show and other bromances: Adam Riches and John Kearns ARE Ball and Boe @sohotheatre

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Alfie Boe and Michael Ball seem to be a bit of a joke act anyway. Their endless interpretations of popular songs (also known as covers) and their double-act bromance make them quintessential crossover artists where popular music meets opera and Broadway. And a perilous choice for the discerning listener. It’s not that they aren’t talented musicians and performers in their own right. Still, their musical choices are always safe, predictable and less than their potential. But every country deserves to have a pair of self-described national treasures that can tour the local arenas and give people a good time for the bargain price of £175 a seat.  And so the concept of Adam Riches and John Kearns - two world-famous from the Edinburgh Fringe comedians taking on this bromance seems like a curious choice for a Christmas musical fare. One can only hope that over the fourteen nights, it is playing at the Soho Theatre that the show evolves into something more substantial than a series of po...

Movies: Nine



Back in London, a good cure for jet-lag is a movie... Although watching the movie musical Nine was probably not the best option... Only curiosity to see if it would get any worse kept me awake. The fatal flaw of this movie is to cast Daniel Day Lewis - a creepy actor at the best of times (as the above interview junket for the film shows) - in a role that required the audience to have some element of sympathy for him. It also doesn't help that in between the musical numbers there is some absolutely dire dialogue mostly set in hotel rooms spoken by actors with outraaaaeegeeshly leeedicrious accents. Best (or should that be worst) is Nicole Kidman's which varies from eeetaylian to okker Aussie mid sentence. It was hilarious even if her screen time was brief.

There are some nice numbers sung by women in various types of pantyhose but after the best number in the movie - A Call From the Vatican - you feel like you could be Penelope Cruz's gynaecologist. Director Rob Marshall managed to strip any sense of sexiness out of Chicago and he again does it with Nine. Even worse is that he allows Sophia Loren (in what could be her swan song) to look like a drag queen. Judi Dench's character has been relegated to costume designer, singing a French song with an English accent or having to speak some pretty cringeworthy dialogue. Other cast members come of slightly better, although here's hoping that no future musicals have songs with lyrics that use "neo-realism"...

A pity really as it probably could have been a better film, even if the show it is based on isn't much of a story it has some great set piece numbers (many of which have been cut for the film or rewritten). Going by the box office takings it will disappear shortly. Go if your curious, or stuck for a decent film at the cinema that isn't a a 3D James Cameron epic... Otherwise look for it on bit torrent...

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