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He had it coming: Burnt Up Love @finborough

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Out of the darkness and shadows, three characters emerge. Lit only with candlelight or flashlights, a gripping tale by writer and performer Ché Walker about crime, punishment, love, and loss emerges. The fast pace conveys a sense of urgency to make up for lost time, lost opportunities, and what might have been. It’s currently playing at the Finborough Theatre .  We first meet Mac (Ché Walker) in prison, serving time for a crime he committed. With only a photo of his young daughter, Scratch, to keep him company, he looks for her upon release. But Scratch (Joanne Marie Mason) isn’t the teacher, lawyer or dancer Mac imagined while incarcerated over the years she might be. Instead, Scratch is in and out of trouble, on the edge, angry and violent. A chance encounter one night with JayJayJay (Alice Walker) forms a loving bond and gives her a moment of stability. But Scratch’s demons and restlessness mean trouble does not seem far away. Scratch's random act of thoughtless violence against

People: Leslie Caron

Tuesday evening last week I managed to get very close to Leslie Caron. It was at one of the National Theatre's platform events where they talk about somebody and there is usually a book signing involved. Old queens, people close to death or a combination of the above seemed to make up the audience. Although there was one guy who took up two chairs that was definitely younger than me there... He sat two over and oohed and ahhed at everything she said as if he were her number one fan...

Anyway, Leslie Caron was the woman who at 16 danced with Gene Kelly in An American in Paris and then went on to be a star in her own right in films such as Gigi and Lili. She now runs a bed and breakfast outside Paris and has written a book about her life. She hasn't given up entirely on acting. She recently won an emmy for appearing in Law and Order: Special Victims Unit and will be appearing in Paris next year in a production of A Little Night Music. It was interesting listening to her as she talked about her life and how it didn't quite work out the way that she always planned it, that she always managed to make the most of it... Of course, talent and ambition probably had a lot to do with it as well. Best line of the evening was confirming that Maurice Chevalier was more or less (well using a few more polite words anyway) a bastard.

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