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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Opera: L'Heure Espagnole and Gianni Schicchi

In a week packed full of culture and goings on, Tuesday night's trip to the opera to see Ravel's L'Heure Espagnole and Puccini's Gianni Schicchi was a real treat. Well when giant cleavage greets you when you enter the theatre (it was on the curtain, not in the audience), you know it is going to be a bit of a fun evening.

Both performances and productions were excellent. Director Richard Jones (who also is responsible for Annie Get Your Gun at the Young Vic) and revival director Elaine Kidd manage to keep it bright and brisk. The opera singers even managed to show not only could they act but they had great comic timing too. Ravel's piece is not so much an opera, so it was nice to have it paired with Puccini's often hilarious and over the top melodrama. The aria O mio babbino caro is from this piece and sung delicately by Maria Bengtsson. Holding it all together was a great performance by Thomas Allen in the title role.

Worth catching and surprisingly not sold out... It has two more performances to go.

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