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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Theatre: La Clique



Saturday night I found myself at La Clique at the Hippodrome. It is a bit burlesque, a bit of acrobatics and a bit of theatre. While there is no thematic link and it isn't some creepy French-Canadian famtainment, this dirty and rough show is intriguing enough to not want to miss.

Alas the German acrobat in the bathtub is not with the show at present, but the other acts had equal novelty value. Although there was a bit of an edge to Saturday night's performance after the hula hoops woman managed to hit some girl in the front row in the mouth with a stray hoop. Tissues were passed along the row and it was obvious she had a cut lip. For the rest of the act everyone in the front row sat slightly terrified (and covering parts of their face). Hoops split and other hoops went flying so the fear was real... In the second half the front row were warned not to lean forward with the skating act... And they took note. They were very, very obedient. And again very terrified.

The second act also had a woman who managed to play a kazoo in a very unusual way as well. It was a marvellous exercise in breath control, albeit not exactly the most sophisticated act to have graced the West End. Still the audience enjoyed all this filth...

The show has had its run extended to June. There are various discounts to have and I would suggest standing (or at least avoiding the front row) would be most advisable...

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