Featured Post

The brown word: Death on the Throne @gatehouselondon

Image
We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Arguments: Britain is Indifferent to Beauty

Destined to be great fodder for the Sunday papers (and it was in both The Times and The Guardian today), I found myself at a debate on Thursday evening on the topic that Britain has become indifferent to beauty. It was a lively and entertaining debate with TV Historian pop star David Starkey and Roger Scruton arguing for the case, and Germaine Greer and Stephen Bayley against.

Greer and Bayley won the debate, and not necessarily on the strengths of their arguments, but probably because Starkey and Scruton came across as fussy old men. A pity really as not only did Greer and Bayley contradict themselves, there was an emerging argument that our busy hectic lives has bumped the pursuit of beauty (in terms of the environment in which we live), down the order of priorities. Starkey and Scruton started to touch upon this, but they lost it amongst their stuffiness. Still it is delightful to hear them all speak, especially Greer. She takes a contrary view so easily that you wouldn't want to engage her in anything other than a formal debate...

It was also an audience of mostly members of the National Trust so I suspect that for Starkey and Scruton, they were always going to have a harder time trying to win the debate. Those National Trust peeps sure love their environment, even if they are a bit detached from the real world. One of the comments from the floor went something like: "Oh yoo ohnly halve to look at what the young people are wearing on Kings Road to know that beauty is long gone in this country". What rubbish. Some people need to get out more. And thanks to Google's Street View launched this week, you can see for yourself. In terms of a street scene, it could be a lot worse. I should know. I was rehearsing in Haringey today. Now there's a part of London that is not only proof of indifference to Beauty, but proof there are some places that just make you want to slash up...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...