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More sex and violence: Playfight @sohotheatre

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The funny thing about three girls growing up under a tree is that you never quite know when they're being serious or just messing about. One time, they might be talking about giving blow jobs on a tennis court at school and another, they might be yearning for a connection that they can't quite explain. That's what happens in Playfight, an Edinburgh Fringe Festival 2024 hit currently showing at Soho Theatre .  Writer Julia Grogan doesn't give us much time to dwell on the lives of these three young teenage girls. One minute, they're fifteen and giggling, and then the next thing, they're off getting married or going to University. But underneath all the smutty talk, humour, and quick scene changes, there is a darker underbelly about relationships, power, and consent. It's about finding your way in a complex world that can dehumanise and degrade you. But as things move so quickly, you could blink and miss it. This is too bad as the performances capturing this co...

Theatre: Every Good Boy Deserves Favour



Maybe it was the fact that it was an 8.45pm start, or that I had a rather hearty meal just before seeing it, but I found it hard to stay awake watching Every Good Boy Deserves Favour at the Olivier Theatre. The premise of a man hearing an orchestra in his head was interesting enough, but this work by Tom Stoppard and André Previn feels like three separate stories in one. The first story was the crazy guy with the triangle who hears the orchestra, the second being the one of the dissident, and the third being the perspective of his son. Throwing all three together, the play just didn't work. Judging by the audience's muted applause at the end, I don't think I was alone with that view.

Still, there is the novelty factor of seeing an orchestra and play combined. And Toby Jones is a treat in the lead role. The odd moments of insanity seemed to suggest this could have been something better. But for the most part it just felt so dated. Like something that would have been staged at the Royal Festival Hall in 1977 as an attempt to do something important. Well the music was nice, and I liked the concept. I liked even more the idea of a late short play which enables you to have a leisurly dinner beforehand. Let's hope theatres do more of them if they can get the punters to them. Perhaps it is just advisable however to ensure the dinner does not entail too much carb loading...

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