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The Green, Green Grass of Home: Mr Jones An Aberfan Story - Finborough Theatre

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A life of hope and promise, interrupted, lies at the heart of Mr Jones: an Aberfan Story. The play follows two young people in Aberfan before and after the disaster that killed 144 people, including 116 children. It’s an emotional coming-of-age tale of intersecting lives, family, love, and the shock of tragedy. With two vivid performances and strong characterisations, you feel immersed in 1960s Welsh small-town life. It’s now running at the Finborough Theatre , after performances at the Edinburgh Festival and across Wales.  The Aberfan disaster is well known in the UK but perhaps less so elsewhere. The facts of the tragedy are confined to the programme notes rather than in the piece. On 21 October 1966, the catastrophic collapse of a colliery spoil tip on a mountain above Aberfan engulfed a local school, killing many. The play avoids the causes and negligence, instead focusing on those working and building lives in the town.  Writer-performer Liam Holmes plays Stephen Jones, a...

Theatre: Wig Out



When friends visit from Australia I find that I see a lot more musicals in the West End. Adrian was in town from Melbourne this week and as a fan of musical theatre I knew that at some stage this week it would end up like this. And it did. I ended up seeing Avenue Q (which in its third year is still fun, but a little lacklustre and the Tuesday evening performance this week had some pretty poor puppeteering), and Zorro (enjoyable sort of panto with the music of the Gypsy Kings and well-shaved gypsies). Bearing this in mind, I was determined to mix it up a little as well. So last weekend I took Adrian to the Royal Court's production of Wig Out by Tarell Alvin McCraney. This is an entertaining and slick production. While music features prominently in the story about competing drag houses in New York, it is no musical.

It seems that for the characters in this play, the motivation for doing drag was that their grandmother wore a wig. Who knew that grandmother's could cause such an impression? By intermission Adrian declared was impressed by its high wig factor. Normally only period dramas would have such an endless parade of cast members in wigs, but we can thank our grandmothers for giving us drag dramas.

While the story at this point did tend to go on a bit (too much exposition), the performances and production were great. The second half was even better and moved much more quickly. Certainly a different sort of play to see over the Christmas period. It runs until 10 January and good discounts are available to see the show from various places.

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