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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Theatre: Wig Out



When friends visit from Australia I find that I see a lot more musicals in the West End. Adrian was in town from Melbourne this week and as a fan of musical theatre I knew that at some stage this week it would end up like this. And it did. I ended up seeing Avenue Q (which in its third year is still fun, but a little lacklustre and the Tuesday evening performance this week had some pretty poor puppeteering), and Zorro (enjoyable sort of panto with the music of the Gypsy Kings and well-shaved gypsies). Bearing this in mind, I was determined to mix it up a little as well. So last weekend I took Adrian to the Royal Court's production of Wig Out by Tarell Alvin McCraney. This is an entertaining and slick production. While music features prominently in the story about competing drag houses in New York, it is no musical.

It seems that for the characters in this play, the motivation for doing drag was that their grandmother wore a wig. Who knew that grandmother's could cause such an impression? By intermission Adrian declared was impressed by its high wig factor. Normally only period dramas would have such an endless parade of cast members in wigs, but we can thank our grandmothers for giving us drag dramas.

While the story at this point did tend to go on a bit (too much exposition), the performances and production were great. The second half was even better and moved much more quickly. Certainly a different sort of play to see over the Christmas period. It runs until 10 January and good discounts are available to see the show from various places.

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