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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Music: Favelization



It had been a while since I had been to the theatre, and so Felicity and I caught Afroreggae's Favelization concert at the Barbican on Thursday evening. Afroreggae have played at the Barbican a few times over the past few years, but this is the first time I caught them. Afroreggae began in Brazil in the shantytowns (favelas) and the music is a fusion of reggae, hip hop, soul, pop and latin rhythms. In addition to this the music also is a call to action about many of the injustices in the world, particularly among the world's poor and disenfranchised.

Of course being in Portugeuse this was lost on me. I checked with Felicity and she was a little rusty on it too. I guess most of the audience may have been in the same boat. While there were projections that accompanied the show the rapid fire words deserved to be comprehended. So after making a mental note to add language course to my new years resolutions, I could sit back and enjoy the concert. It was interesting that despite the music being a protest and a call for social change, there was also a message of hope and optimism about life.

The performances themselves were so full of life and engaging that it was easy to get into the groove of it all. The audience was soon on their feet dancing too, particularly when they did a set of classic soul and disco songs such as "Sexual Healing". Looking at those around us, Felicity made some comment about white men and their inability to dance (and she was right as some were absolute shockers) so I didn't dare get up. I just grooved with shoulders and hands and that seemed acceptable.

There is another element to the work of AfroReggae which is using their art for social change and to combat problems in deprived areas. The Barbican have been working with AfroReggae with schools in the East End and the concert culminated in a performance with young people from these schools. It was inspiring stuff... And definitely food for thought... An album of their music is available as well.

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