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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Movies: Sweeney Todd


Sweeney Todd, originally uploaded by fairytalecinema.

Rather than wait until next Friday for it to come out, I went with Fraser and Mark to see Sweeney Todd Sunday evening in preview. Neither of them knew what to expect but felt somewhat reassured by the large number of gay men in the audience (or perhaps they were just cruising I couldn't tell once the lights went down).

Sweeney Todd is a great musical. It is so well written and a great mix of comedy and horror. I have seen it at least twice including the recent John Doyle production (which seemed to somewhat influence the above poster artwork). None of the productions I have seen however were gory enough for my taste. So I was somewhat relived to be thoroughly disturbed by the blood and gore in this show. In fact, I can't remember ever seeing such a movie when you were rooting for a serial killer to stick it to the victim one more time... Blood flies, bodies crunch, it is disgusting, but in the context it all feels so satisfying.

In adapting a musical for the movies there are some changes, but none of these are for the worse (even the lack of singing chops by the leads). In some ways a movie helps make some of the more intricate moments in the show work better. And to my surprise the Odeon theatre in West End - normally a theatre chain known for sound quality as rubbish as their popcorn and stained seats - even got the sound right and kept it good and loud and intense. But the star of the show (alongside Johnny Depp of course) is still the music - re-orchestrated and sounding fabulous - it is a valentine to London not to miss.

Upon leaving the cinema, I was overcome with the urge to have a good hot pie, but wasn't sure where the nearest Square Pie shop was... Besides, Fraser is watching his calories and fat intake post Christmas so I settled for some gin instead. Hey, that featured prominently in the film as well (albeit without the tonic water, the ice and a slice of lime in Ku bar)...

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