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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Movie: I'm Not There



Since Christmas it has been a chance to drink loads of champagne, sleep in and do very little. However before the holidays came to an end I did manage to catch the Bob Dylan movie I'm Not There. The film directed by Todd Haynes uses a number of actors to depict different periods of Dylan's life. Watching it and not knowing a great deal about Dylan's life except for that period where he went electric probably doesn't help, but it is a fascinating movie that probably gets better with repeated viewings. Cate Blanchett as Jude Quinn (electric / druggy Dylan) was particularly entertaining and who would have thought her hair was a perfect match for him at that period (even if it was not a wig)?

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