Featured Post

The brown word: Death on the Throne @gatehouselondon

Image
We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

'Tis the season...

After the Accentuate the Positive concert with the LGMC the opportunity arose this week to freeze one's ass (or arse) off in the Covent Garden Piazza singing Christmas carols. Have made mental note to always wear thermals in future, but it was a great way of getting into the festive spirit. And with the mulled wine and hot cider on offer in the square, it helped to keep warm and add to the heartiness of the singing...

Tuesday night's carols were quite eventful with one very straight drunk wanting to join the chorus and no security in sight. His mates were looking on laughing as he pushed his way in through to the front. He got through a full verse of Hark the Herald Angels sing before security finally realised he wasn't part of the tenor 1's. He was dragged out wailing he "jushwannadooshing". They weren't messing about the second time while we were singing ABBA's "Happy New Year". Some drunk queen in a long coat and scarf stopped and stood next to me for a brief moment. A brief moment was all it took for security to pounce on him and man-handle him off to the side as he cried, "But-ith-maa-favourite-song!"

As we finished our finally set Dave walked up to me. I was ignoring him as he looked like he was about to try and sell me a copy of The Big Issue, but instead he gave me a Christmas card addressed "to all the lovely singers on stage". The festive spirit was alive and well in Covent Garden that night...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Fantasies: Afterglow @Swkplay

Play ball: Damn Yankees @LandorTheatre